Result

Номинация «Артист балета»

Junior group
Solo

Girl

Fogarty Miko
Switzerland
First Prize
Ibraimova Elvina
Russia
First Prize
Shaitanova Olesia
Ukraine
Second Prize
Bethea Gisele
USA
Second Prize
Higgins Katherine
USA
Third Prize
Beck Maria Theresa
USA
Third Prize

Юноши

Andrijasenko Timofejs
Latvia
First Prize
He Taiyu
China
Second Prize
Shi Yue
China
Second Prize
Gorodiskii Mykola
Ukraine
Third Prize
Batista Luan
Brazil
Third Prize
Seliverstov Alexey
Russia
Diploma
Duet

Girl

Ryzhkova Ksenia
Russia
First Prize
Hatato Rieko
Japan
Third Prize
Alves Paula
Brazil
Diploma
Gomes Amanda
Brazil
Diploma

Юноши

Mastrangeli Yuri
Italy
Diploma
Senior group
Duet

Woman

Bondareva Oksana
Russia
First Prize
Bolotova Tatiana
Russia
Second Prize
Skorik Oksana
Russia
Second Prize
Kosyreva Diana
Russia
Third Prize
Soboleva Anastasia
Russia
Third Prize
Lee Eun Won
Republic of Korea
Diploma
Beketayeva Aigerim
Kazakhstan
Diploma
Cheprasova Elizaveta
Russia
Diploma
Chebykina Ekaterina
Ukraine
Diploma

Мan

Askerov Timur
Azerbaijan
First Prize
Pyzhov Artemii
Russia
Second Prize
Sukhorukov Nikita
Ukraine
Third Prize
Omeltchenko Alexandr
Ukraine
Diploma
Popov Alexey
Russia
Diploma
Solo

Мan

Zaleev David
Russia
First Prize
Tsvirko Igor
Russia
Second Prize
Latypov Ernest
Кыргызстан
Third Prize
Sarsembayev Eldar
Kazakhstan
Diploma
Jeong Hansol
Republic of Korea
Diploma
Gusev Georgii
Russia
Diploma

Woman

Kruteleva Elisaveta
Russia
Second Prize
Limenko Anastasia
Russia
Third Prize

In this competition I saw a lot of talented young people, many amazing surprises... featuring himself, his work, each participant thus represented his country, the level of its culture. We all were interested to see what is happening in the world in the field of dance, what's new and significant.

Arnold Haskell, UK

The alarming tendency is that the contestants very often change the chorographical “texts”. This arises a strongest protest in me – I do not want to see the well-known choreography of a ballet masterpiece to be filled up with various “additions” which destroy its style and logic…Distortion of choreographer’s original texts is caused by the technical difficulties which make it hard to perform for the contestants. Then they make a “light version”. The situation is very irritating and requires certain amendments in the competition Regulations.

Charles Jude, France

... This is a great event and I am confident that even the performance on the most famous stages in the world will be a precious memory for all who participate in the competition, regardless of whether they will be among the first or not.

Arnold Haskell, UK

And what I would consider to be the most important – the Competition allows us to see that it is the individual style that is most valued in art

Alicia Alonso, Cuba

Since the very first competition in 1969 many things have changed. And if at that time the difference between the countries with long-standing traditions of classical dance and the counties which did not have any was very big, in the following years this gap has faded away. The popularity of ballet has grown up all around the world. And all the better, as I think it has become difficult to demonstrate you mastery, skills, - the professional requirements have been leveled up!

Olga Lepeshinskaya, USSR

Our Competition, giving a very difficult program, thus stimulates the progress of ballet.

Yuri Grigorovich, Russia
To affirm the basis of classical dance, constantly renewing it, enriching it with new lexis, new themes, new genres – that is what our common task is, that is what should reveal itself most brightly at the Competition.
Igor Moiseev, USSR
To success at the competition you need to have a great deal of personality, the strength… You need to be able to show that you love ballet and to perform even better than you actually can.
Loipa Araujo, Cuba
Ballet is not a sport, the combination of ballet movements should be expressive, meaningful, magical. Bazil and Jose should have the same brilliant technique, but by no means – the same expression.
Ben Stevenson, USA
At the International competition in Moscow I have seen a lot of what is really interesting, which I woul never see anywhere else. I love the art of classical dance and will never lay its precious heritage aside. But every time the epoch brings out something fresh, new. And you do not have to make the choice of “either…or” in art. That is fine which is perfect. This is life itself.
Agnes De Mille, USA
ЕЩЕ
Organizers